Wolfgang Amadeus Mozart
L'oca del Cairo (The Goose of Cairo or The Cairo Goose, K. 422) is an incomplete Italian opera buffa in three acts, begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October. The complete libretto by Giovanni Battista Varesco remains. Mozart composed seven of the ten numbers of the first act, plus some recitative, as well a sketch of the finale (lost); the extant music amounts to about 45 minutes.
Mozart's correspondence shows he wanted to write a comic opera to a new text for the Italian company in Vienna. He had only just met Lorenzo Da Ponte, who would later pen the libretti for several of Mozart's most successful operas, but Da Ponte was not available, so Mozart turned to Varesco, librettist for Mozart's earlier opera Idomeneo. Mozart's urgent need of a poet is attested by his willingness to work with someone, who in his opinion had "not the slightest knowledge or experience of the theatre". Eventually Mozart realized the hopelessness of the project and abandoned Varesco's libretto after six months because of its silly ending, a farcical travesty of the Trojan Horse legend.
Several versions have been prepared by adapting other music. The first performance (in concert) was in Frankfurt in April 1860 with numbers taken from Lo sposo deluso and some concert arias.
The first stage performance was given on 6 June 1867 in Paris at the Théâtre des Fantaisies-Parisiennes in a 2-act French adaptation, L'oie du Caire, by the Belgian librettist Victor Wilder, who added a new conclusion, and a musical arrangement by the conductor, Charles Constantin, who orchestrated the music and added other pieces by Mozart to complete it.
KV 422 - L'oca del Cairo
(unfinished)
- Duetto I,3 (Auretta, Chichibio) Cosi si fa, due paroline (0:00)
- Aria I,6 (Auretta) Se fosse qui nascoso (3:57)
- Aria I,6 (Chichibio) Ogni momento (6:58)
- Aria e terzetto I,8 (Don Pippo, Auretta, Chichibio) Siano pronte (7:59)
- Aria I,11 (Biondello) Che parli, che dica (13:01)
- Quartetto I,11 (Celidora, Biondello, Lavina, Calandrino) S'oggi, oh dei (15:37)
- Duetto II, (Chichibio, Auretta) Ho un pensiero nel (22:12)
- Finale I,15 (Tutti) Su via putti, presto, presto! (25:10)
Roles
Don Pippo (Don Beltran)
Donna Pantea (Jacinthe), his wife, believed to be dead
Celidora (Isabelle)
Biondello (Fabrice)
Calandrino, Donna Pantea's nephew, friend of Biondello and lover of Lavina
The eunuch
Lavina, Celidora's companion
Chichibio (Pascal), Don Pippo's major-domo, in love with Auretta
Auretta (Aurette)
Synopsis
Don Pippo, a Spanish Marquess, keeps his only daughter Celidora locked up in his tower. She is betrothed to Count Lionetto, but her true love is Biondello, a wealthy gentleman. Biondello makes a bet with the Marquis that if he can rescue Celidora from the tower within a year he wins her hand in marriage. He succeeds by having himself smuggled into the tower garden inside a large mechanical goose.
1767 - Mozart - Apollo et Hyacinthus
1768 - Mozart - Bastien und Bastienne
1768 - Mozart - La finta semplice
1770 - Mozart - Mitridate, re di Ponto
1771 - Mozart - Ascanio in Alba
1772 - Mozart - Il sogno di Scipione
1773 - Mozart - Thamos, König in Ägypten
1774 - Mozart - La finta giardiniera
1781 - Mozart - Idomeneo
1782 - Mozart - The Abduction from the Seraglio
1783 - Mozart - L'oca del Cairo
1784 - Mozart - Lo sposo deluso
1786 - Mozart - Der Schauspieldirektor
1786 - Mozart - The Marriage of Figaro
1787 - Mozart - Don Juan
1790 - Mozart - Thus Do They All, or The School for Lovers
1791 - Mozart - The Magic Flute
1791 - La clemenza di Tito